Curse You: M/M magical fiction

Curse You: M/M magical fiction

When the Ancient Greeks and Romans turned to magic to solve their problems, they used curse tablets. These stone sheets were hidden in places like crypts with pleas to the underworld asking for love, success, or revenge. I posted about using these tablets for romance and passion here, and now I’m sharing a scene I wrote inspired by this magic.

Curse You:

Does counting sheep work? Who knows. Only seven sheep jump over a little fence in my mind before I’m tempted to give up. Sleep still feels so far away. I scold myself for nearly giving up on the imaginary livestock.

Three sheep later and they grow wings, floating around while Tyler Riley’s smile appears in my mind.

No. Sheep. Think of flying sheep.

Four more sheep. They start spewing fire for some reason. One more sheep and the fence burns down. Six more and there’s enough for them to form small armies and launch into battle, flying over a destroyed farmland and spewing fire and—dragons. My sheep are basically dragons.

Screw the sheep. Screw the dragons hiding in sheep’s clothing. I turn on my side and throw a pillow over my face.

I’m going to sleep dammit.

There’s no point checking all Tyler’s social accounts for the millionth time tonight. Seeing if he posted anything new. Observing all the photos of him with other guys like an anthropologist, noting how close they stand and trying to extrapolate the relationship. Looking through all his messages for any queer subtext as if it will definitively prove he likes guys too.

I’m sure he likes guys. Pretty sure. I just don’t know if he likes me.

Eventually, I fall into a fitful sleep.

Then I get up.

“Fuck you, Tyler Riley,” I swear, cursing him for plaguing my sleep.

I want to stay in bed but my legs rise on their own. All it takes is trying to recall the half-remembered dream of us tangled in the sheets together and it’s like a frenzy overtakes me, the urge to take the visions in my head and turn them real.

In the dead of night, exhausted and frustrated, the line between real and not blurs, making me think I can set fantasy into motion through sheer force of will.

A passenger in my own body, I watch myself grab the supplies from the closet, given to me by a witchy friend.

She had fixed me with a steely-eyed gaze and commanded me to only use magic responsibly. Extend a gentle invite and ask for his affection, if he feels it too. Nothing about this feels responsible or gentle.

No. I scroll the internet and find a recipe for what I really need. For the desire to consume him like it consumes me.

The magic comes together. Dried rose petals. Honey for sweetened thoughts. A lock of my hair. A piece of paper with Tyler’s name on one side and mine on the other. Fold the paper, stick a pin in it, binding us together. My hands work on their own when assembling the spell, but the need crawling up my spine and choking my throat? I feel every second of want.

Once I assemble everything and stick it all in a velvet pouch that smells of mothballs, I stare at the result and have no idea what I’m looking at or who made it. Can’t be me. It can’t be real.

But Tyler is real. The divot in his chin and his smile are real.

I attach a little gift tag on the front, one with a label for ‘to’ and ‘from.’ Is that part of the spell or did I add that? What a bizarre present. It doesn’t feel like a gift.

Still in pajamas when I pile into the car and make the drive, it’s a miracle I arrive safely since I barely saw the road. All I see is him. I need him.

The fog of magic and sleep parts somewhat at the edge of the cemetery. This is the really weird, even creepy part. Giving my magical not-present to the dead will allow my plea to travel to places beyond this world.

Wandering around in the dark, am I really going through with this? I think not, until my feet come to a stop at an old headstone. I like the angel statue near the stone, with a space between its clasped hands to place a real flower. Overgrown grass covers the weathered marble of the grave marker, yet a single rose rests in the angel’s hands. Fresh. The crimson color draws me in.

I sink to my knees by the statue, apologizing to whoever’s rest I disturb while digging into the ground to find a spot—oh god, what is that? The casket? No, this is just below the surface. I pull the object out and find a spell bag, wiping away the dirt to read the message there.

This grave already holds a plea. From him. It bears my name.

~

When I read about curse tablets and saw they were usually desperate pleas where love is like an affliction, my first thought was ‘oh, a man leaves a curse tablet for another guy only to find there’s already one there with his name on it, from the guy he’s obsessed with.’ I liked the idea enough to write it out, but I definitely need to come up with ideas that contain dialog next time. I’m a dialog gal and this has none.

I kept the part about using the dead to ferry the pleas, because damn, that takes commitment and is a memorable detail. But I didn’t use actual tablets because that feels awkward. Who makes steel tablets unless you’re some sort of metalworker?

Love Magic and the Dark Art of Ancient Curse Tablets

Love Magic and the Dark Art of Ancient Curse Tablets

Love sick and struggling to get over an old flame? What if you turned to magic?

This sounds like the start of a dark fantasy romance novel, which is a much safer place to put the the curse tablets that ancient Greeks and Romans used. Probably best not to take after them.

Ancient practitioners hammered lead into delicate sheets, then carved their deepest desires and darkest intentions into the malleable surface with bronze styluses. Archaeologists have uncovered approximately 1,600 of these tablets, known as defixiones in Latin or katadesmoi in Greek.

Photo: Arnaud 25

The words they etched weren’t meant for mortal eyes. Messages targeted the gods of the underworld, deities who controlled fate and could bend reality to match human will. Hecate, Persephone, Charon. Lead connected the curse to Pluto’s realm since the metal belonged to the underworld, making it the perfect messenger between worlds.

Folding the tablet trapped the target’s fate within its creases.

Nails bound the magic tight, ensuring the gods couldn’t ignore the petition.

This love magic had a bite, seeking to bind the target’s will, create obsessive thoughts, or cause physical discomfort until the victim surrenders to the petitioner’s desires.

Personal items often accompany the tablets to strengthen the magical connection. Strands of hair, bits of clothing, or even bodily fluids from the intended target create a sympathetic link. These items contain the target’s essence (ousia), establishing a magical bridge between the tablet and victim. This connection ensures the curse finds its mark, regardless of physical distance.

Practitioners deposit tablets in locations where the boundary between the living and dead grew thin. Graves, wells, temple foundations, and underground springs became repositories for longing and desperation. Wells and springs provide access to underground water systems that connect to the realm of the dead. Temple foundations rest on sacred ground where divine power concentrates. Crossroads were good too, spaces where multiple worlds intersect. Using graves let petitioners recruit the restless dead as supernatural messengers, carrying their requests to underworld deities.

Here is one example of a tablet for love magic from Papyrus Stories, this one written by a man about another man. I like the poetry of it and how it’s like part magical spell, part stream of conscious desperation.

If he stands you will not let him stand, if he sits you will not let him sit, if he sleeps you will not let him sleep! He will seek after me from village to village, from city to city, from field to field, from land to land, until he comes to me and he subjects himself beneath my feet – me, Apapolo, the son of Nooe – his hands filled with all good things, until I fulfil with him the desire of my heart and the request of my soul in a good desire and an unbreakable affection, now, now, quickly, quickly, do my work!”

Curse You

Photo: -JVL-

If you have ever experienced gender norms about men and women, it won’t surprise you that men were more likely to try inducing passion while women asked for affection. However, the sample size isn’t very big. And not all of the discovered artifacts were created for romance since, you know, they were curse tablets.

Court cases inspired many curses. Litigants bound their opponents’ tongues and minds to ensure victory. Victims of theft created tablets naming stolen items and cursing unknown thieves. Athletes and performers cursed rivals before competitions.

Many tablets contain specialized vocabulary or voces mysticae. Magical words and phrases believed to carry supernatural power. These mysterious utterances appear to be nonsensical combinations of Greek, Egyptian, and Hebrew sounds that possibly represented a special language only demons could understand or words more appropriate for conversing with gods than human language. Not sure why but I love the idea of writing gibberish and then calling it a super special magical language.

Sources

The World of Roman Women

Bartered History

Antiquity Reconsidered

Curse Tablet Wikipedia

Witchcraft in Ancient Greece and Rome Wikipedia